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一、造山

2019年，大于建筑和不也設(shè)計(jì)工作室受上海體育學(xué)院及世紀(jì)出版集團(tuán)之邀，設(shè)計(jì)滬上首家體育主題書(shū)店“綠瓦體育書(shū)店”。面對(duì)原始毛坯狀態(tài)的基地，業(yè)主提出的唯一空間設(shè)想是充分利用挑高17米的天光中庭“打造一個(gè)地標(biāo)”。這一通常只出現(xiàn)在城市尺度的要求不僅明確了設(shè)計(jì)核心，也把僅有一層的書(shū)店空間的主延展方向從水平改為垂直，為后來(lái)的形式概念埋下種子。

In 2019, Studio YUDA and Studio NOR were invited by the Shanghai University of Sport and Shanghai Century Publishing (Group) Co., Ltd to design the first sports-themed bookstore in Shanghai, “Lvwa Sports Bookstore”. Facing the base in the original rough state, the only spatial idea put forward by the owner is to make full use of the skylight atrium with a height of 17 meters to “build a landmark”. This requirement, which usually only appears at the urban scale, not only clarified the core of the design, but also changed the main extension direction of the bookstore space with only one floor from horizontal to vertical, sowing the seeds for our later formal concept.

▼天光中庭的“地標(biāo)”明月山，Mingyue Mountain in the atrium ?CreatAR

近年來(lái)，中國(guó)建筑師在處理室內(nèi)項(xiàng)目時(shí)常常“造山”，原因大抵是傳統(tǒng)園林的疊山手法既關(guān)照人體尺度，又頗易轉(zhuǎn)化為豐富的硬裝造型，這對(duì)通常不善軟裝的建筑師群體有著天然吸引力，但我們?cè)诒卷?xiàng)目中采用這個(gè)概念，其實(shí)主要是從一個(gè)現(xiàn)實(shí)問(wèn)題出發(fā)，即如何在一間書(shū)店中表達(dá)業(yè)主需要的“體育特色”。書(shū)籍培育智識(shí)、體育強(qiáng)健身軀，為把這對(duì)看似相斥的元素統(tǒng)一在同一空間內(nèi)，我們想到古諺“書(shū)山有路勤為徑”，以及它更為近代的轉(zhuǎn)譯“勇攀知識(shí)高峰”。于是，“求知”和“登山”等價(jià)：探索智識(shí)邊界與突破肉體極限的努力殊途同歸，都是人類(lèi)對(duì)真理止于至善式的追尋。兩者在“山”的意象中得以統(tǒng)一，我們也獲得了敘事自洽的形式母題。

▼概念草圖，Concept sketch ?不也設(shè)計(jì)工作室

In recent years, Chinese architects often “build mountains” when dealing with interior projects. The reason is probably that the stacking of mountains in traditional gardens takes care of the scale of the human body, and it is easy to transform into rich hard-decorated shapes. Natural attraction. Although we are of the same mind, the concept of using this concept in the Luwa Sports Bookstore project is actually to solve a practical problem, that is, how to express the “sports characteristics” that the owner wants in a bookstore. Books nurture knowledge and sports strengthen the body. In order to unify these seemingly mutually exclusive elements in the same space, we think of the ancient adage that “the mountain of books has the road and diligence as the path”, and its more modern translation “to climb the peak of knowledge bravely”. “. Therefore, “seeking knowledge” and “climbing” are equivalent: exploring the boundaries of knowledge and breaking through the limits of the body have the same goal. The two are unified in the image of “mountain”, and we also obtain a form motif that is self-consistent in the narrative.

▼從明月山山腳仰望天光，Looking up at the skylight from the foot of Mingyue Mountain ?CreatAR

二、明月十六峰

我們?cè)诔踉L(fǎng)基地時(shí)發(fā)現(xiàn)，受建筑原始結(jié)構(gòu)限制，人進(jìn)入書(shū)店后要先在一小段低暗天花下走幾步才能拐個(gè)彎進(jìn)入中庭，這恰好欲揚(yáng)先抑地增強(qiáng)了中庭空間帶來(lái)的感官?zèng)_擊：室內(nèi)高度陡然提升5倍，近1：2的底高比迫人抬頭仰望；天光下拂，中庭西墻呈現(xiàn)出如同五代宋初巨嶂山水畫(huà)般的巍峨氣勢(shì)。我們于是決定在此設(shè)置一座13米高的“主峰”，用來(lái)統(tǒng)領(lǐng)全店的“書(shū)山”。

Entering the base from the southeast entrance, one has to walk a few steps under a small section of low dark ceiling before turning west into the atrium. This very short original structure wants to be lifted first and then suppressed, which greatly enhances the sensory impact that visitors receive after entering the atrium: when the sky is blowing, the height of the top of the head suddenly increases five times. The west wall will present a majestic momentum like a giant mountain landscape painting in the early Song Dynasty of the Five Dynasties. Therefore, we set up a 13-meter-high “main peak” to lead the whole store’s book mountain.

▼層層疊退的明月山及山頂光輪，Layers of receding Mingyue Mountain and the light wheel at the top of the peak ?CreatAR

基地建筑是上海體院的乒乓學(xué)院樓，我們延續(xù)了原有街角花壇中乒乓雕塑的形式，設(shè)計(jì)了大量球形裝飾燈散布室內(nèi)，又在“主峰”頂部設(shè)計(jì)了一輪圓形光洞，“主峰”也因此被業(yè)主命名為“明月山”。

The base building is the Ping-Pong Academy Building of Shanghai Institute of Physical Education. We continued the motif of Ping-Pong sculptures in the flower beds on the street corner, used a lot of spherical decorative lights in the bookstore, and designed a circular light hole at the top of the main peak. Named “Mingyue Mountain”.

▼明月山山腳，The foot of Mingyue Mountain ?CreatAR

山分五層，層層疊退，由一道臺(tái)階從山腳折復(fù)上攀，串聯(lián)起山內(nèi)的3個(gè)“藏書(shū)洞”和4處閱讀平臺(tái)，算是真正把讀書(shū)和爬山這兩件事合而為一。底層的大藏書(shū)洞由4個(gè)相互聯(lián)通的小空間組成，四面均留有出入口，使得明月山不僅是視覺(jué)中心，也是流線(xiàn)中樞。

The mountain is divided into five layers and retreats layer by layer. It is climbed up and down from the foot of the mountain by one step, connecting the three “caves” and four reading platforms in the mountain. It is truly a combination of reading and mountain climbing. The big bookstore on the ground floor is composed of 4 interconnected small spaces, with entrances and exits on all sides, making Mingyue Mountain not only the visual center of the project, but also the center of circulation.

▼明月山內(nèi)藏書(shū)洞，Library cave ?CreatAR

▼沿山體折復(fù)上攀的樓梯，Stairs roundly climbing up along the mountain ?CreatAR

幾乎占滿(mǎn)整面墻的明月山多少取得計(jì)成“偉石迎人，別有一壺天地”的園意：訪(fǎng)客被外立面的三層分隔欺騙，不會(huì)想到室內(nèi)有這樣一座“巨構(gòu)”，等迎面撞上時(shí)則是滿(mǎn)目皆山、不能盡收全貌。與供奉巨像的閣塔空間類(lèi)似，人們?cè)谌齻€(gè)樓層只能分別直視這座主峰的山腳、山腰和山頂。

▼明月十六峰軸測(cè)圖，Axonmetric of Mingyue Sixteen Mountains ?大于建筑&不也設(shè)計(jì)工作室

It occupies almost the entire wall and is considered to be the garden concept of “great stone welcomes people, and there is no pot of heaven and earth”: visitors are standing outside the building. The 3-story division on the surface is deceptive, and I would not have thought that there could be such a full-height giant structure indoors. Similar to the spatial experience of temples and pagodas dedicated to giant statues, people can only look directly at the foot of the main peak, the mountainside and the top of the mountain on different floors.

▼四通八達(dá)的明月山底層，Space under Mingyue Mountain connects outside in all directions ?CreatAR

▼藏書(shū)洞內(nèi)層進(jìn)通幽的空間，Layers of space inside the library cave ?CreatAR

以明月山為核心，我們?cè)诟骺臻g內(nèi)散點(diǎn)布置了15座以階梯為形式母題的小型“書(shū)山”，分別承擔(dān)書(shū)架、貨柜、座椅、吧臺(tái)、講臺(tái)等功能。它們和明月山共同組成了一個(gè)同構(gòu)的“山系”，作為實(shí)體的空間節(jié)點(diǎn)來(lái)藏書(shū)、納人，而“山間空地”形成的網(wǎng)格路徑與開(kāi)闊空間則允許訪(fǎng)客自由巡弋，在從此山到彼山的游訪(fǎng)旅程中完成一次對(duì)書(shū)店的個(gè)人探索。

With Mingyue Mountain as the core, we have scattered and arranged 15 small book mountains in each space with the motif of steps as the motif, which respectively undertake the functions of bookshelves, seats, bar counters, and podiums. Together with Mingyue Mountain, they form an isomorphic “mountain system”: each mountain serves as the “stop point” of the moving line to store books and accommodate people, while the open space between the mountains serves as a “walking place”, allowing readers to cruise freely. Complete a personal exploration of the bookstore in the journey from this mountain to the mountain.

▼山體間的空隙為訪(fǎng)客自由探索空間提供多種路徑，The gap between the mountains provides visitors with various paths to freely explore the space ?CreatAR

▼書(shū)齋空間中散點(diǎn)布置的書(shū)山，Mountains of book stand scatteredly in the library ?CreatAR

▼咖啡廳，Cafe ?CreatAR

▼休閑區(qū)，Lounge ?CreatAR

三、遠(yuǎn)上藍(lán)山

空間中最矚目的藍(lán)色，來(lái)自我們初訪(fǎng)基地時(shí)的偶然觸動(dòng)：一扇建筑外墻金屬門(mén)上未剝落的藍(lán)色保護(hù)膜與墻面的灰色真石漆并置，兩種顏色與材質(zhì)的微妙對(duì)比傳遞出一種動(dòng)靜相宜的獨(dú)特氣質(zhì)，我們當(dāng)場(chǎng)決定將藍(lán)色與水泥色作為未來(lái)書(shū)店的主色。

When we visited the site for the first time, we noticed the juxtaposition of the unpeeled blue protective film on a metal door on the exterior wall of the building and the gray real stone paint on the wall. The subtle contrast of the two colors and materials was just right, conveying a sense of movement. Appropriate temperament. It happened that the base was all unmodified gray walls, so we decided to use blue as the main color of the future bookstore on the spot.

▼初訪(fǎng)基地時(shí)發(fā)現(xiàn)的色彩對(duì)比，The contrast of color we found when we visited the site for the fisrt time ?大于建筑&不也設(shè)計(jì)工作室

令我們意外的是，在后期和業(yè)主的討論中，這藍(lán)色又被大家賦予各種與書(shū)店主題相關(guān)的解讀，為建筑師第一感覺(jué)的恰切反向求據(jù)：乒乓球桌的藍(lán)、奧林匹克運(yùn)動(dòng)發(fā)源地的藍(lán)、青綠山水畫(huà)的藍(lán)、馬蒂斯動(dòng)感剪紙的藍(lán)……似乎藍(lán)色也是最能融會(huì)體育與人文精神的色彩。最終，大家決定采用山體的藍(lán)色木紋與墻面的灰色水泥并置，以精致與粗礪的對(duì)話(huà)回應(yīng)精神錘煉和體育競(jìng)技間的關(guān)系。

In the later discussions with the owner, this blue was given a variety of interpretation possibilities, which almost verified the correctness of our first feeling: the blue of the table tennis table, the blue of the Olympic birthplace of Greece, and the blue-green landscape painting Blue, Matisse’s paper-cut blue… It seems that blue is also the color that best integrates sports and humanistic spirit on the spectrum. The juxtaposition of the blue wood grain of the mountain and the gray cement of the wall continues our initial impression of the protective film and the real stone paint wall, and responds to the relationship between spiritual tempering and sports competition with a delicate and rough dialogue.

▼藍(lán)色木紋家具與灰色水泥墻面并置，Juxtaposition of the blue tone wood furniture and grey cement wall ?CreatAR

在藍(lán)灰兩色之外，我們?cè)谝灾v堂為代表的訪(fǎng)客長(zhǎng)憩之處選用原木及金褐色的家具配飾，創(chuàng)造溫暖的局部氛圍。為滿(mǎn)足講座與展覽兩種功能的靈活切換，講堂墻面懸掛了可調(diào)整布局的穿孔板展架，堂內(nèi)的長(zhǎng)凳也經(jīng)過(guò)特別設(shè)計(jì)，在垂直疊放時(shí)可作為擱架使用。

In addition to the blue and gray colors, we use a large number of logs and gold and brown furniture accessories in the places where visitors rest to create a warm and relaxing local atmosphere, especially in the lecture hall space. In order to meet the flexible switching between exhibition and lecture required by the owner, we hang perforated panel display racks on the wall of the lecture hall, which can be flexibly adjusted in layout. The benches in the hall are also specially designed to be used as shelves when stacked vertically use.

▼講堂空間總覽，Lecture hall ?CreatAR

▼講堂內(nèi)的長(zhǎng)凳可以垂直疊合組成擱架，墻面的層板也可靈活調(diào)整，以滿(mǎn)足臨時(shí)展覽需要，The benches in the hall are also specially designed to be used as shelves when stacked vertically ?CreatAR

結(jié)合書(shū)山的散點(diǎn)式布局，我們?cè)跁?shū)店內(nèi)各處墻體上設(shè)置了大量尺度不一的洞口，以引導(dǎo)讀者動(dòng)線(xiàn)與視線(xiàn)的穿透交織，希望在有限面積內(nèi)創(chuàng)造出流轉(zhuǎn)縈回、深遠(yuǎn)無(wú)盡的體感，激發(fā)訪(fǎng)客對(duì)空間的探索興趣。

Combined with the scattered layout of the bookstore, we have set up a large number of openings of different scales on the walls of the bookstore, so as to guide the penetration and interweaving of readers’ moving lines and sight lines, hoping to create a flow of lingering, The profound and endless somatosensory stimulates visitors’ interest in space exploration.

▼明月山上的洞口引人探索，The entrances of the cave on Mingyue Mountain attract visitors to explore ?CreatAR

▼透過(guò)方窗看向明月山內(nèi)部，Looking into the interior of Mingyue Mountain through a square opening ?CreatAR

▼從咖啡廳看向書(shū)齋，Looking into the library from the cafe ?CreatAR

▼偶然出現(xiàn)的洞口延展空間景深層次，Opening that appears occasionally extends the depth of space ?CreatAR

綠瓦體育書(shū)店掩映在上海體育學(xué)院西門(mén)外的樹(shù)蔭中，用一片別有洞天的藍(lán)色群山靜待遠(yuǎn)到的朋友。當(dāng)門(mén)外暮色稍濃，中庭天窗下的光輪統(tǒng)攝各處球燈漸次亮起，漫布書(shū)叢間的光暈如同山間明月、海上燈塔，指引人們?cè)谥c行的雙重世界里泛海登山、上下求索。

Luwa Sports Bookstore is hidden in the shade of trees outside the west gate of Shanghai Institute of Physical Education, waiting for friends in the distance with a unique blue hills. When the twilight outside the door is slightly darker, the light wheel under the skylight in the atrium will gradually light up the ball lights scattered throughout the store. , search up and down.

▼ “山間明月、海上燈塔” ，Bright moon in the mountains, lighthouse on the sea ?大于建筑&不也設(shè)計(jì)工作室