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NIAOYAN / 鳥焱·燒物

餐廳 / 商業空間 Restaurant / Commercial Space

南京, 中國 Nanjing, China

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設計 : TRIOSTUDIO三厘社

Design : TRIOSTUDIO

完成時間：2022 Completion Year: 2022

面積：142㎡ Area：142㎡

攝影 : ingallery Photographer : ingallery

鳥焱·燒物位于南京華燈坊，輻射CBD商業受眾。本案作為鳥焱品牌在南京布局的第三間門店，區別于首店的新日式風格，設計以酒館氣質為契，將別具一格的煙火氣融入新店策劃中，打造圍合中央吧臺傳遞日式燒鳥的獨特體驗，同時整體風格靈感取師于鳥居結構和式紙傘，在色彩搭配、內部裝飾中延續新穎的用餐儀式感。

As the third store of NIAOYAN in Nanjing, this case is mainly based on the tavern unit, integrating the breath of life into the space. At the same time, the style is inspired by the structure of the torii and the paper umbrella, which continues the novel Japanese ritual sense in the color and interior decoration.

從場地突圍，構建別樣日料酒場Construct a different kind of Japanese cooking wine field項目選址于商場地面一層的上行扶梯之下，面對采光不夠、景觀差與客流問題，如何從場地劣勢中突圍成為設計團隊首要面臨的難題。Faced with the problems of insufficient lighting, poor landscape and passenger flow, how to break through the disadvantage of the site has become the primary problem faced by the design team.

設計團隊將日本鳥居結構中的“朱紅”作為空間主體色，從外立面至餐廳內部環境的立面細部均以“秩序感”營造出空間的連續性，層疊的木構搭配引人注目的紅色，營造出濃郁而有序的視覺效果。客人經過外擺區，進入室內空間，映入眼簾即是核心區域的中央吧臺，精致酒柜以玫瑰金構架作為展陳，為空間注入復古感的生機，并契合流暢弧墻融入完整的空間色彩單元，在頂部傘型構架下，層次明亮的氣韻在空間中流轉。The design team used "vermilion" in the torii structure as the main color. From the exterior facade to the interior environment of the restaurant, the "sense of order" creates the continuity of the space and has a strong visual effect. Guests pass through the outside area and enter the indoor space, and they are greeted by the central bar in the core area.

儀式，不止于鳥居Ceremony, more than torii設計團隊在整體空間構造思路上，通過節點結構與精細選材來呈現鳥焱品牌與日料文化的契合度，在視覺性與功能性上呼應鳥居構造文化，創造出多重時空維度的場景體驗，即“進入空間之時，所有來客行為皆需要特別注意”，設計團隊亦是通過結構裝飾的仿形來發出信號，踏入鳥焱即意味著跨入一個與現實世界涇渭分明的空間旅程，從而傳遞給食客更多精神文化層面的感受與體驗。In terms of construction ideas, the fit between NIAOYAN and Japanese material culture is highlighted through structure and material selection, and a unique scene experience is created. That is, "when entering the space, all guest behaviors require special attention". This is the spatial signal: stepping into Toyoya means stepping into a journey that is distinct from the real world. In this way, more spiritual and cultural feelings and experiences can be conveyed to diners.

餐廳內部，設計團隊利用核心吧臺區域的頂層裝飾架構與“和式紙傘”聯系，纖細木構以序列形態的搭建融匯出現代材料的細膩漸次感。散座公域與單獨包間的錯落觀感，在木構與頂部鏡面折射出的多維空間中起承轉合，制造出餐廳空間與來客交感、與品牌氣場交感的邂逅篇章。Inside the restaurant, the design team used the top-level decorative structure of the core bar area to connect with the "Japanese-style paper umbrella". The scattered look and feel of the scattered public area and the separate private rooms are connected in the multi-dimensional space refracted by the wooden structure and the top mirror. The restaurant space interacts with guests and brands.

景觀的呼吸感Breath of the Landscape在空間外立面的設計中，利用弧面片墻間隔與局域造景，以材質交疊復現出視覺掩映的景觀屏障，模糊化處理的邊界讓室內外有層通透的呼吸感，在半圓“傘面”延伸下的日式造景，讓空間內的感受界線穿透物質隔墻，引導客人視線與室內環境琳瑯相會。In the design of the fa?ade of the space, the arc wall and local landscaping are used to reproduce a barrier-like visual cover with overlapping materials. Blur the boundary and make the space have a sense of transparent breathing. The Japanese-style landscaping under the extension of the semi-circular "umbrella surface", the boundary of feeling in the space penetrates the material partition wall, guiding the guests' eyes to meet the space.

在結構致敬之外，場所的故事性也離不開光影的詮釋，設計團隊細心打磨許多耐人尋味的空間細節，為置身其中的紛紛賓客們，敘說漸入密境的空間意趣。In addition to paying tribute to the structure, the story of the place is also inseparable from the interpretation of light and shadow. The design team carefully polished many intriguing spatial details to describe the spatial interest of gradually entering the secret environment for the guests who are in it.