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互聯網時代，我們的通信與交往，已經越來越依賴移動終端和社交平臺，我們越來越享受即時高效和分享的快感，可是，當我們的腳步慢下，細品時代的步伐，惆悵一眼發展的過往之時，才會懂得什么是最珍貴，什么是值得欣賞的。

In the age of the Internet, our communications and interactions have become more and more dependent on mobile devices and social platforms, and we have become more and more comfortable with instant efficiency and sharing, melancholy at a glance development of the past, will know what is the most precious, what is worth appreciating.

以“院”為思想來構思

conceived with the idea of “Courtyard”

當接觸到木作品牌的case時候，我們帶有思考性的分析是它需要什么。然后提出我們的設計語言“沐”，諧音。以木為點，構思空間的設計形態，延展出可以表達生活的理想態度。

When it comes to wooden case brands, our thoughtful analysis is what it needs. Then we put forward the design language “Mu”, homophonic. Take the wood as the point, conceives the design form of the space, extends the ideal attitude which can express the life.

我們所能想象的一種語境表達是當下社會。經濟為上，效率為先，是這個社會的特征，在浮躁的環境下，卻總有一群人堅守著原則，以時間和經驗磨礪自己的作品，以心血和汗水培育美的產物，他們就是匠人。世界在嘈雜，匠人的內心，絕對是安靜篤定的，不隨波逐流，他們的作品會在時代發展的步伐里沉淀下來。

One of the contextual expressions we can imagine is the current society. Economy First, efficiency first, is the characteristic of this society, in the impetuous environment, but there is always a group of people adhere to the principle of time and experience to sharpen their work, with painstaking efforts and sweat to cultivate the product of beauty, they are artisans. The world in the noisy, craftsman’s heart, is absolutely quiet and determined, do not drift with the current, their works will be in the pace of the development of precipitation down.

空間夜景

space night scene

基于原始空間的戶型結構與空間面對，所能組建的場景是一個閉合L形態的平面，如何建立木作在這個空間當中的視覺焦點和引導人群去體驗空間，一直是設計師與品牌主理人著重思考的問題。在過渡商業化的發展氣息當下，太多展廳、店鋪形態的美感圖片存在于市場之中，如何讓如羿成長，自然自在表達就是本次設計的根本目的。

Based on the original space of the huxing structure and the space face, the scene that can be formed is a closed l-shape plane. How to establish the visual focus of the wooden work in this space and guide the crowd to experience the space, designers and brand managers have been focusing on the problem of thinking. In the development of the overcommercialization of the current, too many exhibition hall, shop form of the aesthetic images in the market, how to let Ruyi grow, natural natural expression is the fundamental purpose of this design.

設計導向

design-oriented

空間的元素構思，致敬建筑殿堂級人物卡洛斯卡帕，我們都知道意大利人對美的執著是近乎苛刻的。而建筑大師斯卡帕本身的建筑語言豐富，本案最佳的體現也是手工藝細節。

The element of space is conceived as a tribute to the architectural icon, Carlos Capa, and we all know that the Italian obsession with beauty is close to fastidious. The master architect SCAPPA himself has a rich architectural language, and the case is best illustrated by the details of the craftsmanship.

與不同的材料觸覺形成組合，金屬的回旋搭配，木匠的榫卯，表達一種特質、一種韻律，把空間的表現與被表現聯系起來，即進行詩意抽象的同時能夠讓形狀不帶帶有任何內涵或延伸的意義，它就只代表它本身，它只代表美。市場上，木作手工藝代表的最佳載體，空間借助形態筑譜成一個個動靜相宜的場景，而我們的思考也進行整體的存在意義。

Formed by the touch of different materials, the gyration of metals, the mortise and tenon of carpenters, expressing a quality, a rhythm, linking the expression of space to the expression, that is, the poetic abstraction can make the shape without any meaning or extension, it only represents itself, it only represents beauty. On the market, Wood Craft represents the best carrier, the space with the aid of shape to build a suitable scene, and our thinking is also the overall meaning of existence.

“景”

“view ”

設計師認為，現代商業空間設計當中，最可貴的品質，不是它是否具有時尚性與商業的氣息，也不僅僅停留在“網紅屬性”的定調上，而是在于設計所體現出來的空間氣質能否符合我們當下品牌主自己的商業邏輯，人文情懷。

Designers believe that the most valuable quality of modern commercial space design is not whether it has fashion and commercial atmosphere, nor just stay in the "net red attribute" on the tone, but lies in the design reflected space temperament can meet our current brand owner's own business logic, humanistic feelings.

“一個好的設計是安寧與沉吟的氣息在彌漫，是具有生長性的，設計，僅僅是生活中的“頓號”，設計與生活直接有內在的連貫性與統一性?！边@也是初入空間的點題，語境的表達，由景生情，由情為源，商業的本質在此以人為本，以鏈接為屬性，設計所帶來的價值也滋潤著這個空間。

"A good design is a peaceful and contemplative atmosphere in the air, is with growth, design, is only the" stop "in life, design and life directly have internal coherence and unity. This is also the point of entering the space, the expression of context, from the scene, from the situation as the source, the essence of business here is people-oriented, link as the attribute, the value brought by the design also moistens the space.

武漢，這個城市，本身自帶江湖文化與生活煙火氣。而以作品為前提的要素就顯得格外珍貴。人們常說，藝術跟生活是聯通的，它的最高境界不是轟轟烈烈，而是處于一種微妙、動人的自在，空間造“景”是不太需要過多的點綴，不能喧賓奪主。讓每個元素都各有其姿，各得其樂。

Wuhan, the city itself, with its own rivers and lakes culture and life smoke and fire. And the element that takes the work as premise appears to be particularly precious. People often say that art and life are connected, its highest state is not spectacular, but in a delicate, moving free, space to create “Scenery”is not too much embellishment, can not dominate. Let each element have its own style and have its own fun.

“活”

“Come alive”

以視覺焦點提供元素主義的姿態，木孕育於春天，是萬物歸醒的開端，而生活也意味著勃勃的生機，本身也裹藏著一切智慧。眼見顏色，耳聞聲音，是感受；見顏色而知其美，聞聲音而知其和，也是感受。

With visual focus to provide an element of attitude, wood in the spring, is the beginning of the awakening of all things, but life also means vigorous vitality, itself also contains all the wisdom. To see color, to hear sound is to feel; to see color is to know its beauty, and to hear sound is to feel.

“樣 ”

“Like”

空間模樣，沉淀、松弛，是營造的一種心理體驗。進入空間后，將接待區與產品展示區作為“屋檐”的概念，借助頂面和地面拉出范圍，讓其呈現出明朗清晰的空間尺寸感，然后不同的材質轉接和層次來說明工藝的細節和水平，將這些材質的運用在本案的空間當中，是對自身產品力優勢的掌握。

Space appearance, precipitation, relaxation, is to create a psychological experience. After entering the space, the reception area and the product exhibition area will be used as the concept of “Eaves”, with the help of the top surface and the ground to pull out the scope, so that it presents a clear and clear sense of space size, then different material transfer and levels to explain the process of detail and level, the use of these materials in the case of space, is the advantage of their own products.

空間設計語言中，力是時空褶皺的結果，光則可以被理解成平行宇宙之中的振動，讓一切自然規律都變得簡潔而優美。

In space design language, force is the result of the folds of space and time, while light can be understood as a vibration in a parallel universe, making all natural laws simple and beautiful.

“使用者 ”

“Users”

空間有時候，不是因為選擇多了而豐富，是因為「對待」而更豐盈。

Space is sometimes enriched not by choice, but by treatment.

有時候，設計者跟使用者都愿意停留在此，將自己的觸角深入此刻所有的包裹之中，來發現它的豐盛。這樣的使用感受才能與心靈產生共振。

Sometimes, designers and users are willing to stay here, their own tentacles into all the packages at the moment, to find it rich. This feeling of use resonates with the mind