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大數據時代，電子產品充斥著孩子們的生活。有數據研究表明，現代中國孩子的日常生活90%貢獻給日常的上課和補習，而剩下的時間大多都用來看電視劇，玩游戲等，平日很少去接觸大自然，體驗自然的樂趣。如何在現代城市包圍的商場里，應用自然空間元素去激發孩子的創造力與想象力，則成為這座老城央區商業體的設計使命。

In the era of big data, electronic products are flooding children's lives. Some studies show that 90% of modern Chinese children's daily life is spent on daily classes and tutorials, while the rest of the time is spent watching TV shows, playing games, and so on. They rarely get in touch with nature on weekdays and experience its pleasures. It is the design mission of this commercial complex in the central part of the old city to apply natural space elements to stimulate children's creativity and imagination in a mall surrounded by the modern city.

這座親子樂園由三層空間組成。老商場自1983年落成，歷經三次改造拓建后，內部的柱梁條件已變得非常復雜，設計既要保障中庭挑空的藝術美感，同時要考慮旋轉樓梯的結構柱體對空間完整度的破壞，同時要解決每個樓層分流客戶的交通組織問題。

結合中庭狹長高聳，結構柱網過粗不均等特點，設計應用峽谷、月亮、森林、海灘等自然元素，將不利因素轉化為讓空間充滿想象力的有利條件。

This parent-child paradise consists of three levels of space. The old mall has been completed since 1983, and after three renovations and expansions, the internal column and beam conditions have become very complex. The design had to safeguard the artistic aesthetics of the atrium ceiling while considering the damage to the integrity of the space caused by the structural columns of the revolving staircase, as well as addressing the traffic organization of the diverted customers on each floor.

Combining the features of the narrow and high atrium and overly thick and uneven structural column network, the design applies natural elements such as canyon, moon, forest, and beach to transform the negative factors into beneficial conditions that make the space full of imagination.

峽谷里有風

Wind in the canyon

支撐中庭的柱網以玻璃鋼包裹，通過色彩節奏的變化形成視覺縱向延伸，凸顯出中庭挑空的力量感與穿透力，大弧形的雙曲面形態如同長年風化的戈壁自然肌理，圍合出中庭變化奇異的速度感與縱深感。局部的峽谷風洞，則成為中庭銜接其他樓層的觀景透視窗口，并豐富了立面。中庭與平臺上的人，能透過這些洞口自發的尋找到美妙的構圖。

The column network supporting the atrium is wrapped in fiberglass, forming a visual vertical extension through the change of color rhythm, highlighting the sense of power and penetration of the atrium. The large curved hyperbolic form is like the natural texture of the Gobi that has aged for years, enclosing the atrium with a strange sense of speed and depth. The localized canyon wind tunnel then becomes a viewing window for the atrium to articulate the other floors and enrich the facade. People in the atrium and on the terrace can spontaneously find wonderful compositions through these holes.

現實版的彩色夢

Colorful dream of reality version

色彩在抽象與寫實之間切換，孩子們會在現實的自然記憶與夢幻的色彩碰撞中產生各自不同的理解與思維發散。色彩的搭配帶來的力度與情緒暗示，無不帶來豐富的體驗與思考。

根據空間結構的復雜特點，設計采用了東方經典的散點透視，進行了視覺構圖美學的融合。豐富的色彩與頂面的不銹鋼、電梯的玻璃鏡面交映，融合出近大遠小的油畫般的豐富層次與油潤質感；各個樓層延展出的挑臺，則應用了中式的散點透視，實現步移景異的場景切換，仿佛一幅縱向的山水畫卷，徐徐展開一幕現實的彩色夢。

The colors switch between abstract and realistic, and the children will have their own different understanding and thinking in the collision of realistic natural memory and fantastic colors. The intensity and emotional suggestion generated by the color combination bring rich experience and reflection.

According to the complex characteristics of the space structure, the design adopts the classic oriental scattered perspective and carries out the fusion of visual composition aesthetics. The rich colors correspond with the stainless steel of the top surface and the glass mirror of the elevator, blending the rich layers and oily texture of the oil painting of the near large and far small. The extended podiums on each floor adopt the Chinese scattered perspective to realize the switching of different scenes in each place. It is like a vertical landscape painting, slowly unfolding a realistic colorful dream.

仰望星空的孩子

The child who looks up at the stars

旋轉樓梯的底部，通過深邃的黑色與幽藍的星光營造出輪廓鮮明，但又無限虛空的星河。動態的LED燈珠像流星貫穿天際，律動的方向引導著孩子向著更高處探索。旋轉樓梯分樓層接駁，孩子們總可以在45°的視角仰視到另一端星河的延續，從而在好奇心引導下不斷的探索前行。20米挑空的最高處，懸掛著人造月亮，這是孩子們一路追尋爬到樓頂后的視覺盛宴。月球與周邊的輔助照明，將皎潔的自然光輝灑滿整個場景。所謂“百尺為形，千尺為序”，從一樓起坡點上行至樓頂，整個月光籠罩的峽谷透視關系也逐漸發生著有序的變化。

在星河上游走時，人們能根據樓梯的曲度變化而變化視角，實現空間層次的錯位與重組，星河的形態也就在不斷的循環中演化，像星座與四季的更迭變化。

The bottom of the revolving staircase creates a galaxy of stars with sharp contours yet infinite emptiness through deep black and ethereal blue starlight. Dynamic LED light beads are like shooting stars across the sky, and the rhythmic direction guides the child to explore higher. With the revolving staircase connected by floors, children can always look up at the 45° perspective to see the continuation of the star river at the other end, thus being guided by curiosity to keep exploring forward. The artificial moon hangs at the highest point of the 20-meter void, a visual feast for the children after they have climbed all the way to the top of the building in pursuit of it. The moon and the auxiliary lighting around it spill the bright natural light all over the scene. As the saying goes, "a hundred feet is the shape, a thousand feet is the order". From the starting point of the first floor up to the top of the building, the whole perspective relationship of the moonlight-covered canyon gradually changes in an orderly manner.

When wandering in the star river, people can change their perspective according to the curvature of the staircase, realizing the dislocation and reorganization of spatial levels, and the form of the star river evolves in a continuous cycle, like the changing of constellations and seasons.

神之視角

God's Perspective

三角確定最穩定的結構，也就確定了盤小寶的世界觀。

第一個視角，無死角設計。中庭空間與每個樓層空間接駁銜接，場景互為借景，相互有機依存，以立體的方式打造出任何角度皆可構圖出片的無限場景。

第二個視角，無界視界。空間所貫穿的自然元素，均源自斗轉星移的宇宙自然元素，板塊運動的地貌元素，在有限的空間中，通過錯層環形樓梯延展出無限視線穿透力的想象空間，從而滿足孩子們對無邊界自然探索的原始欲望。

第三個視角，神之視角。設計重組了孩子們在孩提時代所建立的自然認知基因，以“遺傳美學”引導孩子的視角與觀念，透過彩色、立體、自然的峽谷夢境，激發自由的想象力與自我世界觀的建立。

The triangle determines the most stable structure, which also determines the worldview of Pan Xiaobao.

The first perspective, no dead angle design. The atrium space is connected with each floor space. The scenes are borrowed from each other and interdependent, creating an infinite scene that can be composed from any angle in a three-dimensional way.

The second perspective, boundless vision. The natural elements throughout the space are all derived from the natural elements of the universe and the geomorphic elements of plate movement. In the limited space, the imaginative space of infinite visual penetration is extended through the staggered circular staircase, thus satisfying children's original desire for borderless natural exploration.

The third perspective, God's perspective. The design reorganizes the natural cognitive genes established in children's childhood and uses "genetic aesthetics" to guide children's perspectives and concepts, stimulating free imagination and the establishment of their own worldview through colorful, three-dimensional, natural canyon dreams.