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探索事物于不同角度的發(fā)散認(rèn)知,以相對(duì)述平化的方式

來(lái)闡述其內(nèi)在諸多的復(fù)雜可能性挖掘更多不同的生活方式探討和對(duì)人性的再思考,讓空間更具可考究及情感共鳴的建立......

此項(xiàng)目立案之期，更多的還是想打破定式的思維慣性，以塊面的方式來(lái)實(shí)現(xiàn)聯(lián)動(dòng)空間的分區(qū)合理性，同時(shí)也想建立伙伴之間更多的場(chǎng)景交流。

以‘動(dòng)線’為環(huán)流向軸，來(lái)組織空間與空間之間，‘?dāng)鄬印挠蟹聪蛩伎肌?/p>

以‘木盒’置入的方式來(lái)連接室內(nèi)外的交互可能性，分化界限的區(qū)隔和功能的整體統(tǒng)一性，借助‘體塊’的延伸導(dǎo)向來(lái)梳理空間脈絡(luò)的邏輯性。

The ‘wooden box’is placed to connect the possibility of interaction between inside and outside, to divide the boundaries and unify the functions, and to comb the logic of the space with the help of the ‘volume’.

以通透為由，來(lái)處理相鄰空間的聯(lián)動(dòng)情景，開合之間，來(lái)實(shí)現(xiàn)更多的日常記錄場(chǎng)景。

在天花的處理上，考慮原梁位的錯(cuò)亂及重疊，如何變局限的劣勢(shì)為出彩點(diǎn)，也是區(qū)間的分隔上著重考慮的點(diǎn)位，‘以點(diǎn)劃線’，來(lái)區(qū)分面的過(guò)度，由此延伸到空間的分區(qū)形成。

In order to permeability, to deal with the adjacent space linkage scene, between the opening and closing, to achieve more daily record scene. In the treatment of the ceiling, considering the dislocation and overlap of the original beam, how to change the disadvantage of the limitation into the outstanding point, and also the point of the division of the interval, ‘draw a line with DOTS’, to distinguish the excess of the surface, this extends to the formation of spatial partitions.

在分區(qū)與分區(qū)之間的交織層面，借助體塊的交割位面來(lái)強(qiáng)化分區(qū)的界限點(diǎn)位，讓對(duì)應(yīng)的屬性更為明顯。

At the interweaving level between partition and partition, the cut plane of block is used to strengthen the boundary point of partition and make the corresponding attribute more obvious.

由‘斜面’入內(nèi)，視線由壓縮到開闊的心理感受后，頂面與底部的層面開合，讓視角不會(huì)局限在單區(qū)域空間。

From the ‘inclined Plane'into, the line of sight from compressed to the open psychological feeling, the top and bottom of the layer opened and closed, so that the perspective is not limited to a single area of space.

以‘地臺(tái)’的形式來(lái)替代原傳統(tǒng)沙發(fā)位的休閑會(huì)客方式，更像多些交互的隨和性，盤膝而坐，暢談瑣碎，也是以此為‘媒介’，來(lái)連貫室內(nèi)外分區(qū)的心理緩沖。

In the form of ‘platform’to replace the Original Traditional Sofa seat of leisure visitor way, more like more interactive and easygoing, sitting cross-legged, talking trivial, but also as a ‘medium’, to connect the indoor and outdoor sub-district psychological buffer.

打破‘規(guī)制式’分割空間的思維慣性，借由動(dòng)線梳理及間隔的位面關(guān)系來(lái)呈現(xiàn)自由的二維格局。

Break the thinking inertia of the ‘regular’Division of space, and present a free two-dimensional pattern through the arrangement of the moving lines and the position plane relationship of the interval.