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在當(dāng)下的中國，東方審美的文化心理正在被逐漸的重拾和放大，而外在的演繹也在被各色的商業(yè)業(yè)態(tài)包裝利用當(dāng)然，這也是文化自信的表達方式。“柴門薈”這個被賦予傳承和創(chuàng)新川菜的高級餐廳，是柴門公司多年積淀來的全新品牌。

Contemporary China is gradually rediscovering and zooming into the culture of oriental aesthetics, as the external interpretations are being commercialised, which is also an expression of cultural confidence.Chaimenhui is a high-end restaurant that inherits and innovates Sichuanese cuisine as well as a whole-new brand of Chaimen following years of hard work.

其最終的愿景是希望客人在這里能體驗高級川味美食的同時，也能有或東方或當(dāng)代的審美感受。

The restaurant aspires to offer oriental or contemporary aesthetics as diners sample first-rate Sichuanese cuisine.

園林是東方美學(xué)的一種高級形態(tài)，內(nèi)含的審美哲學(xué)是大多中國人骨子里的精神亮點。希望能代表四川成都高水準(zhǔn)美食的柴門薈，自然也應(yīng)該有更廣闊和包容的氣氛來迎接五湖四海的客人。

Gardens are a top form of oriental aesthetics, and the aesthetic philosophy contained within is the quintessence of the majority of Chinese people.To represent the top-tier delicacies of Chengdu in Sichuan Province, Chaimenhui naturally needs to be more open and encompassing to welcome diners from all corners of the country.

我們在餐廳里融入了大量的園林景觀以及對園林觀法的深度考察設(shè)計這種觀法，是通過內(nèi)部的建筑空間設(shè)計中對序列、流線、高低尺度的再創(chuàng)造，以求達到顯、隱、遮、露、透的環(huán)境形成，即是外放，也是內(nèi)斂。

We have introduced a considerable amount of garden landscape and philosophy during our extensive design planning,and recreated the alignment,fluidity and elevation in the space to achieve an open yet introspective space that displays, conceals, covers,reveals and uncovers.

具有川西院落風(fēng)情的建筑結(jié)構(gòu)形式貫穿整個大廳，這個只擺放了四桌的空間中使用木與石的材料組合這也是柴門薈重食材、重珍味的另一種心理暗示。開放式的烹飪布局，是對川人生活方式的再提煉。

The Sichuanese courtyard-style architectural structure is seen throughout the hall, where only four tables are found.The combination of wood and stone is a hint at the restaurant’s focus on ingredients and delicacies.The open cooking space is a refinement of the Sichuanese lifestyle.

十二間包房是本次餐廳設(shè)計的核心，根據(jù)不同的主題和名稱進行單獨的內(nèi)部空間設(shè)計植物與色彩的名稱組合被帶進了整個內(nèi)部的氛圍體驗。

The 12 booths are the core design of the restaurant. The independent spatial design based on different themes and the names of plants and colours forms the overall atmosphere。

如梅綰、如竹墨、如松玄輕盈高雅的空間語言，搭配復(fù)合的色系組合。這樣的環(huán)境中感受現(xiàn)場堂作烹飪的精湛技藝，是經(jīng)營者最想傳達的初心。

such as Plum Knot, Bamboo Ink,Pine Black, which are refined and elegant. To allow diners to appreciate the exquisite cooking on site is the focus of the owner.

其中兩個最大的包間我們更加強調(diào)以內(nèi)收的心態(tài)來設(shè)計，把功夫更多放在隱藏功能美學(xué)中。

For the two largest booths,we placed greater emphasis on hidden features that are manifested through the functional aesthetics,

每一處的照明，都會隨著陽光和四季的變化而過渡每一款家具的舒適性都使室內(nèi)外的邊界更加模糊。

which sees the illumination changing with the sunlight and seasons and furniture offering comfort that transcends the spatial boundary.

中國人講究的自然尺度實際是讓人更加放松和愉悅的尺度屋內(nèi)涼庭式的園林建筑也被帶入其中。

The natural requirements to which Chinese people pay attention are those that bring relaxation and happiness, as is with the introduction of a pavilion resembling garden architecture indoors.