你是否經(jīng)歷過這樣一個階段，覺得自己正在等待什么樣的改變？等待什么事情的發(fā)生？大多數(shù)人都曾有這樣的經(jīng)歷。總部位于里斯本的Atelier Aveus品牌利用了我們對“等待”的集體存在主義的焦慮意識，成就了一個基于“等待”哲學(xué)主題的家具系列。

Ever been through a phase where you feel like you’re waiting for something to change, or something to happen? Most of us humans have. Lisbon-based brand Atelier Aveus has tapped into our collective existential angst with The Wait, a furniture collection based on the philosophical themes of waiting.

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Atelier Aveus與巴塞羅那的創(chuàng)意機構(gòu)Six N. Five合作創(chuàng)作了展示該系列的概念效圖。該團隊將其標志性的韋斯安德森式對稱和重粉色調(diào)色板運用到工作中，產(chǎn)生了一系列夢幻般的、有意為之的奇怪配置。憂郁的梯子掛在敞開的窗戶上，臺階通向堅固的墻壁，其他的墻壁打斷了開放空間，沒有任何結(jié)構(gòu)用途。。

Atelier Aveus collaborated with Barcelona-based creative agency Six N. Five to create conceptual renderings displaying the collection. The team put their signature Wes Anderson-esque symmetry and pink-heavy palette to work, resulting in a series of dreamlike, intentionally strange configurations. Melancholy ladders hook over open windows, steps lead into solid walls, and other walls interrupt open spaces, serving no structural purpose.

在這個系列中，由等待引發(fā)的情感，如沉思、被動和時間的扭曲，被轉(zhuǎn)化為三件家具——一個房間隔板、一個“等待的沙發(fā)”和一盞壁燈。每一個都是在敘事、詩意的場景中呈現(xiàn)的，刻意呈現(xiàn)出朦朧和月光。

For the collection, feelings triggered by waiting such as contemplation, passivity, and the distortion of time were translated into three pieces of furniture – a room divider, a ‘waiting sofa’, and a wall lamp. Each is presented within narrative, poetic scenarios that appear deliberately dusky and moonlit.

壁燈最真實地喚起了“等待”的概念，一個球形燈泡模擬了月球的無限反射。藍色天鵝絨的等候沙發(fā)看起來既舒適又孤單，兩個座位微微地錯開，這樣坐著的人就不會緊挨著坐了。房間分隔在設(shè)計上是抽象的，由兩個分離的暗紅色臺階和一個連接到窗簾框架的鏡面板組成。

The wall lamp most literally evokes the ‘wait’ concept, with a single spherical bulb mimicking the infinite reflections of the moon. The blue velvet waiting sofa looks both comfy and lonely, the two seats staggered slightly apart so that occupants are not sitting directly next to one another. The room divider is abstract in design, consisting of two detached dusky red steps, and a mirrored panel connected to a curtained frame.

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每一個場景都讓人難以忘懷，但同時又是那么的神圣和寧靜。模擬的超現(xiàn)實主義風景，如開闊的海洋和模糊的藍色田野，給人一種超凡脫俗的感覺，看起來很美，但感覺有點孤立。也許是利用了我們現(xiàn)代對超然的恐懼和與我們的思想獨處?也許是鼓勵我們?nèi)ッ鎸@種恐懼，并等待它結(jié)束，而不是從一個分心奔向另一個分心?

Each scene is a little haunting, but at the same time heavenly and serene. Simulated surrealist outlooks such as open ocean and ambiguously blue fields create an otherworldly impression, that looks beautiful but feels a little isolating. Perhaps tapping into our modern day fear of detachment and being alone with our thoughts? And perhaps encouraging us to face this fear, and wait it out rather than rushing from distraction to distraction?

也許是利用了我們現(xiàn)代對超然的好奇和思想獨處的個人意識？也許是鼓勵我們?nèi)ッ鎸@種恐懼和好奇，并等待它的結(jié)束，而不是從一個對事物的分心奔向另一個分心？設(shè)計師們以前研究過這個問題；他們的諷刺設(shè)計作品《社交鍛煉》質(zhì)疑了數(shù)字和社交媒體對我們心理的影響，這才是一件設(shè)計作品由內(nèi)至外 的完整意義。

Six N. Five have delved into this before; their satirical project Social Workout questions the influence of digital and social media on our psyche. Really, we could analyse this stuff all day. Have they been talking to our therapist!?